Friday, July 29, 2016


#askvarsha contest
Ask Author Varsha Dixit a question on your blog and she will answer you in her own unique way. Watch out this space for more. Only the best questions will be selected.

My Question for #askvarsha is...
Hi Varsha, your title is very eye-catching. Did you feel that using an oxymoron would not only catch eye-balls, but also bring out the contrast in the natures of your main characters? 

RIGHTFULLY WRONG, WRONGFULLY RIGHT
by
Varsha Dixit



Blurb

Love is in the air again…this time it’s steamy, bold and manipulative!

Gayatri and Viraj both are products of childhood trauma. Yet they were able to survive, one because of her shrewdness and the other because of his genius. Rightfully Wrong Wrongfully Right, the final part in the best selling ‘Right and Wrong’ love trilogy is the story of these two damaged souls.

Gayatri Dutta, the poster child for rich spoiled diva is fighting to escape a life of servitude her tyrant father is hell bent on pushing her into. Her past string of failures have her backed against a wall. Lonely and desperate!

Viraj is a con who uses his genius to perpetuate his isolation. His life once of violence and abuse has left him cynical and cold. He shuns the society and its hypocrisies. 

And then Gayatri and Viraj cross paths. She needs him and he despises her.

To Viraj, Gayatri, is the epitome of all that he despises, shallow, manipulative and the kind who uses her beauty as a weapon. Or is she?

Gayatri sees Viraj only as a means to an end. She is sure that Viraj with his nerdy demeanor, owlish glasses and crude behavior will be easy to manipulate and walk over. Only he isn’t!

Grab your copy @

Excerpt from #RWWR
‘I can do this, I can do this, I can...’ Gayatri wound her fingers tightly around her cellphone as she made her way to the cubbyhole Viraj called his office. I did not expect a freaking hug, but a polite ‘how are you’ wouldn’t kill that man. She rapped her knuckles on the door.
Viraj swung the door open. ‘What?’ His brows were furrowed and his lips, pursed.
Gayatri remembered what Nikhil had said to her once. Dr Viraj owns and runs this lab. He was the only one you needed to impress! ‘It’s my first day here!’ Gayatri could hear her voice shake. ‘Could you tell me...
Gayatri scuttled out of Viraj’s way as he leaned out. ‘Find an empty room, do your work there. You are free to leave any time you want. You are free to come or to not come.’ The door shut on her face.
Flabbergasted, Gayatri kept staring at the door. What just happened? She cleared her throat. I should not piss him off anymore. ‘Thank you for this…this job.’ Her voice was as uncertain as the look on her face.
Viraj tugged the door open again. Gayatri flashed a smile at him and opened her mouth to speak but he stopped her short. ‘I don’t like talking. Find a room and stay there.’ He shut the door on her again.
 Asshole! Gayatri fisted her hands and retreated. I can do this! I am doing this! Bigger picture, please! Gayatri paused and peeped inside the first lab that she stumbled upon. The place was quiet except for a low hum of machines. Gayatri pushed the doors open and walked inside the lab. It was empty. ‘Does anyone else work here besides the mad scientist?’ She leaned against one of the steel racks. The door flew open behind her. With a big grin she turned to greet the person coming in. ‘Hi! I’ she froze. It was the mad scientist with a bunch of papers in his hand.
Viraj noticed Gayatri at the same time. A familiar irritation flashed in his eyes. ‘Not this room. Not my lab! Find another room!’ He spoke with cool authority.
‘I was just looking!’ Gayatri smoothed her ponytail trying to mask her nervousness. He had her in knots.
Giving an indifferent shrug, Viraj walked past her. Gayatri got a whiff of his aftershave; it smelled clean and crisp, like water with a twist of lemon. At least he doesn’t stink like his manners! Gayatri stood there quiet and confused.
A loose paper slipped from Viraj’s hand and landed on the floor.
‘You dropped some paper!’ Gayatri said, her voice friendly.
‘Ignore it. Like you, it is not going anywhere.’ Viraj pulled a portable stool and took a seat in front of an electronic panel fixed to a bigger panel.
Gayatri gritted her teeth and grinned with the ferocity of a wild animal that could pounce any moment.
Unknown to her, Viraj gave a similar smile except his was more like the wild animal that had pounced and won.
‘I’ll go and find a room. Thank you!’ Swiveling on her heel, Gayatri headed for the door.
Something stopped herher father’s face and the realization that two weeks ago she had physically fought for herself, and now she had to fight again but with her mind instead of hands. I have to win over Mr Madness. Maybe I could wear a beaker over my head and tattoo the periodic table on my arms!
‘If you are trying to open the door telepathically, let me be the first to tell you it is not working!’ 
Gayatri exhaled noisily. Scathing and sarcastic, what more could a woman ask for? Taking a few calming breaths, she slowly pivoted to face Viraj, specifically his back as he sat hunched fiddling with the panel in front of him.
 ‘I’m sorry if I have offended you somehow. I really need this job. And also, I’m qualified for it. I can show you my degrees. I can really make a difference here.’
Hearing Gayatri’s words and her apologetic tone, something melted inside Viraj...again. But to keep up appearances, he turned rude. ‘I’m busy!’ he barked.
 ‘Please Mr Viraj, give me’ Just then, without warning, someone swung the door open. Gayatri wasn’t prepared for the push. ‘Ouch!’ She toppled. Her desperate hands grabbed the first thing in the vicinitya steel rack. The rack shuddered violently and some of its contents landed on the floor.
‘What the hell!’ Viraj bellowed jumping to his feet.
Gayatri winced. A large electrical component had crashed into her hand ‘The door just opened, pushing me in,’ she said shaking her arm in pain.
 Viraj glared at the door. He instantly lost the frown and his mouth eased at the ends. ‘Oh it’s you! Come inside!’
Huh, Hyde turns Jekyll! Gayatri spun around.
A timid, bespectacled, five-foot-nothing girl, her long hair in a tight braid, clad in a pastel-coloured salwaar kameez, stood at the door. Her skin was smooth and her hands kept tugging at the dupatta around her neck ‘Sorry to interrupt! Dr Kalra wanted to show you some tests he is about to run in lab 2.’ She then glanced at Gayatri. ‘I’m sorry if I hurt you. It was an accident.’
Gayatri was about to speak but Viraj cut her off. ‘She’s fine. Let’s go!’
Viraj went out with the girl, not even sparing a glance at Gayatri.
Astounded, Gayatri watched them leave.

Urghh…the shit-faced scientist actually smiled and that too at that girl! Gayatri kicked the steel rack. It shuddered again! Shoot! Before anything else would fall on her, Gayatri went after the scientist and the simpleton.


Did you like the excerpt? Author Varsha Dixit offers you four of her chapters free.

Read the First Four Chapters Free!!

About the author


Varsha Dixit

Varsha Dixit, the bestselling author of four successful contemporary romance books. Her debut book, Right Fit Wrong Shoe was a national bestseller for the year 2010. Varsha was a part of the Indian Television Industry and worked as an assistant director and online editor. She considers herself a dreamer who thinks deep but writes light. Even though creativity is gender free,Varsha feels blessed and enriched to be a woman. Currently, with her family, Varsha resides in CA, USA.

You can stalk her @

                  

    


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Thursday, July 28, 2016

Confessions on an Island – Ayan Pal


                              

If you have ever witnessed Russian Matryoshka Dolls, those intriguing little nesting figures that magically appear, one after the other, from one single doll, you will realize how similarly Ayan Pal’s resourceful imagination produces stories, one after the other, in easy succession.
‘Confessions on an Island’ talks about a storyteller who gets trapped in her own maze of tales, a sinister man who holds her ransom for apparently his own devious ends, and an island that listens, patient and sympathetic, an unwilling witness to the events being played out on it.
The storyteller is thrown into an unexpected situation. “It had seemed like the perfect plan. But maybe it was a little too perfect – for someone else.”
The hint of intrigue stays with the reader throughout the book keeping him teetering on the edge of his seat. Every story narrated leads to another born out of the one that went before, “one Matryoshka popping out of another till there is nothing but emptiness that remains.” The rules are simple; the stories have to continue, much like a Scheherazade routine being played out by her, “like the trapped princess from the Arabian Nights”. The abductor reveals his mind slowly, revelling in his “mind games and manipulations”. Once the storyteller begins to fathom a little of what is on his mind, she also begins to tease him with possibilities.
Ayan proves that he is a master storyteller as he opens out the recesses of his mind to reveal glimpses as varied as Sita and the golden deer with silver spots, the Greek legend of the siren luring voyagers into the sea, the iconic bronze splendour of Copenhagen’s “The Little Mermaid” whose face echoes the pain that only she can see, “the Nordic and Scandinavian interpretation of classical cuisines by executive chef, Rene Redzepi, ‘The Wooden Walk’ that transports one to medieval England, and shape-shifting demons. He is meticulous in his details as he describes the island in Sabah, in Malaysia, and that “the mountain rising like a sentinel in the Northeast is Mount Kinabalu”. Food also plays a vital role in the book as varied cuisines are described with loving detail.
As a bitter-sweet tableau of lust and hate is played out, with intermittent moments of longing, the mysteries get cleared up, one by one, as every tale brings forth a further twist, till the very end when the reader is silenced with a denouement that overwhelms, as all the loose threads get woven together to form a perfect tapestry.
Ayan displays a writing style that proves compelling when he tells his medley of tales, but at times there is a vulnerability that moves one to tears. One is filled with a compulsion to read on as each story casts a shadow on events looming ahead, finally bringing an end to “this mangled story of passion”.
The novel ends on a note of hope which suggests that a sequel could well be in the offing, “with someone else, some other day.” That day will be worth waiting for, as another “literary jigsaw” turns into yet another “gripping novel”.

To buy Confessions on an Island

http://www.amazon.in/Confessions-Island-Ayan-Pal/dp/9385854135


Tuesday, July 19, 2016

The Broken Boat - Nitin Soni

                           



It is a rare pleasure when a young poet voices his thoughts on the plight of humanity so emotionally. Nitin Soni, known popularly as the Curly Poet, has proved why he has such an impressive fan following. His poems revolve around issues that impact the world, issues which need to be addressed, like poverty, racism, rape and heartbreak.
The first poem titled ‘Resurrect’ creates an atmosphere of sorrow in the midst of joy, and sets the tone. The poet’s heart obviously bleeds for oppressed women, as is revealed in many of the poems in this collection. ‘Ravages’ rends the heart with a plea to save girls, sisters, mothers and daughters from “those beasts/Who molested humanity, love, affection, brotherhood, sisterhood/And celebrated wickedness.”
‘Oh, Ugly Woman’ berates the men who mock at “a painted ugly woman/ who always ends up in bed, /In blood.” ‘Even She’ is an inevitable reminder of the life of a whore, which ends on a truly poignant note. While ‘And Golden Apples’ holds a horrifying hint of incest, ‘Womb-to-Tomb’ encapsulates a girl’s tiny lifetime in one pithy line – “She went from womb to tomb.”
The poet writes on Love with equal ease. The poem ‘Do You Know” celebrates a pair of eyes creating circles around his heart, as he transfers “joyful glances into her eyes”. ‘I Saw Her in my Eyes” is a beautiful love poem. “The mirror I saw/It laughed in my face/ I couldn’t believe my eyes...” meanders all the way to the last two lines. “You are a stranger/On this beautiful boat.” The boat which is beautiful here turns “to an old dying and defeated boat” in ‘Poor Mother’, echoing the symbolism of the book's title.

These are but a few poems, and the young poet has many more to offer. One poem, in particular, titled ‘Of Religious Scarf’ brings an ironic smile to the face with its apparent simplicity. It is obvious that there is much more poetry in Nitin Soni’s soul, and I do hope that he strives to bring it out in yet another volume.

My Last Love Story - Falguni Kothari

A poignant and heartwarming novel by Falguni Kothari



MY LAST LOVE STORY 

BY 

FALGUNI KOTHARI





BLURB


Perfect for fans of Jojo Moyes’s, Me Before You, My Last Love Story is a heartbreaking and poignant tale about the complexities of trauma and whether love can right a wrong. 

*** 
I, Simeen Desai, am tired of making lemonade with the lemons life has handed me. 

Love is meant to heal wounds. 
Love was meant to make my world sparkle and spin. 
Love has ripped my life apart and shattered my soul. 

I love my husband, and he loves me. 
But Nirvaan is dying. 
I love my husband. I want to make him happy. 
But he is asking for the impossible. 

I don’t want a baby. 
I don’t want to make nice with Zayaan. 

I don’t want another chance at another love story. 

***WARNING*** 
Weepers, keep tissues handy.

Grab your copy @


About the author


Falguni Kothari is a New York-based hybrid author, and an amateur Latin and Ballroom dance silver medalist with a semi-professional background in Indian Classical dance. She writes in a variety of genres sewn together by the colorful and cultural threads of her South Asian heritage and expat experiences. When not writing or dancing, she fools around on all manner of social media and loves to connect with readers.

My Last Love Story is her fourth novel.

You can stalk her @

                  

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Saturday, July 16, 2016

Tales of Sunshine – Sundari Venkatraman



A ray of sunshine is a powerful pick-me-up, that warms the cockles of the heart, and Sundari Venkatraman has used this little truth to create her latest anthology titled ‘Tales of Sunshine’.  From the eye-catching cover itself, which is a cornucopia of pleasant little snapshots, to the stories within, she takes care that enough sunshine is showered on her readers.
The narrative is simple, and the words chosen with care, fly off the storyteller’s pen with ease. Whether it is the large-hearted Raj who lays off people in his company by offering them a wonderful sop in ‘A Ray of Sunshine’, or the smart, high-flying Rekha who finds an unexpected solution to her own domestic problem in ‘Until Death Do Us Apart”, the reader is carried along. Sundari touches upon the dilemma faced by modern-day students whose parents and loved ones expect too much of them in the choices they make in life. Preeti finds herself akin to “a bone that was being fought over by a couple of ferocious dogs” in ‘Life Goes out Of Control’, as Kiara strives to make her son, Aarush happy in ‘Breaking Free from the Mould’, a truly exemplary tale. While ‘Exam Fever’ leaves the reader with a smile, ‘Is Grandpa Home?’ evinces a tear. ‘The Elephant in the Room’ is another well-written story that evokes a sense of familiarity, as it deals with a problem that is all too real. ‘A Promise Given’, ‘Day Dreaming Mercenary’ and ‘Rakesh Nath’s Recovery’ are examples of what the anthology is all about – human interest.
Sundari Venkatraman has proved, yet again, the felicity of her writing style. This book , her seventh so far, uncomplicated and doused with sunshine, strikes the right chord with the readers.





















Tuesday, July 12, 2016

Dark Things by Sukanya Venkatraghavan - Review

"A story is only as true as you believe it to be.”


“What if the maiden was the monster?” the tagline jumps out at you; if that isn’t intriguing enough, Sukanya Venkatraghavan catapults you into a whirlpool  where you end up gasping, as you land in the midst of a world populated by Yakshis, Gandharvas, Huldras and Apsaras. 'Dark Things' published by Hatchette India starts off on the premise that “...monsters exist. They roam the earth. They scope the sky. They haunt the underworld.”

The novel revolves around Ardra, the Yakshi, “a beautiful unreal creature with invisible wings and bits of storm in her hair.” Her journey begins as she strives to go back into her memories, which have been rudely torn apart by Hera, the Empress of Atala and the evil Queen of Secrets, an overpowering figure who has a terribly devious plan that threatens to upset the balance of the world, and rip its fabric apart.

A number of memorable characters strut across the stage – Dara, the Slayer with “deep, soul-crushing heartbreak” in his jewel-blue eyes who has been hunting monsters for centuries, the handsome Dwai who has a secret in his past that makes him uniquely himself, the winsome Menaka, the bent Dakini (shades of Manthara?) and a Minotaur-like creature in the Tower under Hera’s control.

Who is Ardra and why is she different from her fellow Yakshis? “What the Yakshis didn’t have was freedom. What they lacked was destiny.” However, Ardra proves this statement wrong, as she survives catastrophes, more often than not, unwittingly. The novel starts off like an orchestra, instrument by solitary instrument, and plays on till it reaches a crescendo as strong forces face one another in the New War that is fought, till wrongs are made right and memories restored.

What takes this book beyond the realm of mere fantasy is the beauty of the language employed by the author. A few examples go thus:
“The music was her, her eyes were full of the strange creatures in the sea, green like new magic from the skies” and secrets that glowed “faintly in forgotten corners, in mysterious mind-nooks, in lost memory maps.” Such exquisite usages, the concept of the sun blooms and the description of the Enchanted Forest of the Fireflies make this book a work of literary art.

 Sukanya seems to take parallels from Greek literature when she talks of Tarini, the River of Death, and its boatman, and Hera who is strangely Medusa-like.

The book also mirrors the concerns of the journalist within the author as Ardra says, “The stories I heard on Prithvi about what humans did to one another were sometimes so unsettling that it felt as though the lines between our worlds were blurring.” This was echoed by Dwai later when he remarked, “Sometimes there is no difference between humans and monsters; the lines are blurring.” 

And as you put the book away, your mind still bustling with the vivid imagery, the fragrance of the winsome Yakshi with “the frangipani-shaped magical tattoo on the inside of her wrist,” remains with you.





TALES THAT ENTAIL BY JASEENA BACKER

  ‘Tales that Entail’ by Jaseena Backer is an anthology of stories that are hard-hitting and realistic. Right from the first story, the auth...