Onam - The Festival of Tigers and Plantain Leaves
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Onam comes around with great fanfare around August- September every year, with ten days of celebration from Atham to Thirivonam which take precedence over everything else. Educational institutions give ten days of holidays, after the school Onam programme which often has an entertainment programme revolving around Onam songs (paatu), Thrivathirakalli or Kaikkotokalli where elegantly dressed ladies wearing the traditional off-white mundu-veshti dance around a vilakku (lit lamp). Girls dress up in pavadus (long skirts) and boys in kurtas and mundus (dhotis), all looking resplendent, indeed.
I live in Thrissur, Kerala’s cultural capital,
which is a temple town. The cost of colourful flowers skyrockets over
these ten days as most households create exquisite designs with flowers in
their courtyards. A giant pookallam (flower carpet) in Thekinkaadu
Maidanam next to the iconic Vadakkunnathan temple sets the festival of Onam off every
year.
Legend goes that King Mahabali,
the grandson of Prahalad, ruled over Kerala centuries. He was a good and
virtuous ruler, concerned about the welfare of his subjects. His kingdom was so
prosperous, and the king so loved, that the devas (gods) became jealous of his
immense power. They conveyed their fears to Lord Vishnu who took the guise of
Vamana (a Brahmin dwarf) and visited Mahabali. Vamana is considered as one of Lord
Vishnu’s ten avatars.
Mahabali was a gracious and good-hearted
host. He welcomed the diminutive Brahmin and asked him what gift he could give
him. Vamana requested him for three feet of land, which the generous king
happily granted.
The
next moment, Vamana began growing. In two steps, he covered the world and the
heavens. He asked Mahabali where he could place his third step. Mahabali, by
now, had realised that the Brahmin was no ordinary visitor. He bowed low and
asked Vamana to place his third step on his head. Vamana did so and Mahabali
was pushed down to Pathala or the netherworld. Impressed with Mahabali’s
devotion, Vishnu granted him permission to come to Kerala on Thiruvonam day
every year to visit his subjects.
Thus,
during Onam, people dressed up as the beloved king make an appearance and are feted
by all, especially children. Sometimes he is portrayed as a chubby, comic person, and at other times, a tall, majestic figure.
Onam also celebrates a good harvest resulting
in plenty and prosperity. The vallam kalli or the snake boats races are also a
highlight during Onam.
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Keralites across the world look
forward to the famed Onam sadya, the feast served on plantain leaves. There are
normally 26 dishes, which may vary, from place to place. The dishes are placed
in designated places on the leaf, with banana chips and pickles on the left,
and the curries and the dry preparations spread across in a delectable array.
Rice is served once the person sits down and doused generously with sambar (the
rice, not the person!). The dishes are made from local and seasonal products, prepared in ghee and coconut oil, and
garnished with grated coconut. One is expected to finish every dish on the
leaf, a sign that the meal has been savoured.
Of course, the payasams that
come at the end of the meal are eagerly awaited. Often, the palada, made from
rice flakes, milk and sugar, is considered the king of payasams. The other
options are plantain, wheat or jaggery payasams. When people get up after a
meal, licking their fingers, that is an indication that the sadya has been
outstanding.
What
is amazing about an Onam sadya is the fact that it is only a smidgeon of every
dish that is placed on the leaf. Seconds are always provided as the servers
walk around with steel buckets and vessels, urging people to eat more. Thus,
there is no wastage of food. At the end of the meal, the leaves are folded and
disposed of, bio-degradable and hence, good for the planet. Since there are no
dishes that boast of extra masala or oil, one feels comfortable at the end,
though a siesta is recommended to overcome the effects of the creamy payasams.
The
Thrissur Onam is unique in many ways, but most importantly, in the case of
pulikkali or the Tiger dance. It is believed that this custom originated two
centuries ago as a street dance form, but grew in popularity and is today, part
and parcel of the grand Onam festivity.
Four
days after Thiruvonam, the pulis (tigers) descend in groups on the Swaraj
Round. These are men painted in the stripes of the tiger who dance to the
accompaniment of traditional instruments. They are very impressive in their
moves and spirit. The larger the belly, the more impressive the tiger painted
on it. Of late, women have also begun dressing up and taking part in the
pulikkali.
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This
year, Thrissur turned into a sea of stripes and spots as more than 250 tigers
and leopards pranced around in full gusto, adding a carnivalesque touch to the
Onam celebrations. They moved around with growls and roars, dancing to the
accompaniment of drums, brightly dressed in black, green, yellow and
fluorescent colours. A point to be noted is that body paint is not the
healthiest of practices for it plugs the pores. However, these intrepid
dancers, divided into various contingents, ruled the Swaraj Round and found
places in the hearts of the ecstatic spectators. The most vigorous team won a cash
prize along with accolades and appreciation.
As Onam comes to an end every year, King Mahabali takes leave of
his subjects, and even thought he leaves with a heavy heart, he knows that he
will be back the following year.
Ma'am, I only knew the way Onam is celebrated and the food that is devoured. Through this blog hop and your blog, I got to know the story of King Mahabali. Thank you for penning it down in such a detailed manner. ❤️
ReplyDeleteWhat a delightful and vibrant depiction of Onam!
ReplyDeleteThe vivid descriptions of the pookallam, the joyous Onam sadya, and the pulikkali really bring the festival to life. I loved how you captured the blend of tradition and celebration, especially the story of King Mahabali and its connection to the modern festivities. The touch on sustainability with the bio-degradable plantain leaves was a great reminder of the eco-friendly nature of this feast. Your writing beautifully encapsulates the essence of Onam—community, culture, and celebration.
OMG! This is an entire encyclopedia on Onam! I marvel at the way you seamlessly blended the legend with the current practice of Onam. My knowledge increased three-fold post reading this blog. The pictures used, added colour to a bright narrative. Looking forward to more from your pen.
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