THE ISSUES OF VIOLENCE! #BLOGCHATTER #WRITEAPAGEADAY

 

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Sometimes, there comes a movie which clicks for all the right reasons. Jaya Jaya Jaya Jaya Hey is one such offering written and directed by a newcomer Vipin Das. The main roles are essayed by Basil Joseph as Rajesh and Darshana Rajendran as the beleaguered Jaya.

What makes this a must-watch movie? True life issues are dealt with here, but with a dose of healthy humour which soften the aggressive bits to an extent. 

a. The movie starts with girls having no rights. Jaya does her B.A. Malayalam, just because she is not allowed to go far away from home. No Anthropology for her, because she is anyway going to get married in due course.

b. Her teacher, played by Aju Varghese, is a modern man who talks about women’s liberation and their rights to live life on their own terms, ideas which turn on their head when he turns possessive about Jaya. Gaslighting raises its head for the first time in the movie.

c. Rajesh, Jaya’s prospective husband, reluctantly agrees that she can continue her studies after marriage. The amazement on his mother’s face is as palpable as the broken chairs and items in their house that Jaya notices when she walks in for the first time. Someone, obviously, has an extremely bad temper.

d. The cracks begin showing, one by one. The first slap and the first half-hearted apology are in tandem. Thereafter, every bout of violence is followed by a grudging treat where Jaya has no say, even in the choice of the menu at the restaurant. Rajesh’s “Happy alle?” (Aren’t you happy?) gets more and more ironic when the violence escalates.

e. Little nuggets of advice pop up from all quarters. When Jaya speaks of her unhappiness, her mother says, “It is for women to adjust. Give your marriage time.” The father adds later, “That’s life!” At a stage later, her mother-in-law defends her son. “Don’t men get angry and hit their wives?” That’s seemingly normal.

f. What is abnormal is what happens when Jaya finally reaches the end of her tether, according to her mother-in-law. How dare the girl retaliate? Isn’t she meant to adjust, after all? Jaya calculates the number of slaps she would have to endure over forty years. That leads to a strained reconciliation.

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g. What is the best way to control a wife who has proved that she can protect herself by turning aggressive? Tie her down with a child, and keep her within the four walls of the house. Pertinent advice from a wily male relative.

What stands out is the subtle humour that keeps the movie running along its rails. Gaslighting is a real problem, and when Jaya decides to take matters into her own hands, or in this case, feet, the audience gets its money’s worth. The message is crystal-clear. Treat people with respect or else you will end up with regrets, possibly broken bones as well.

Brilliant acting by Basil Joseph and Darshana Rajendran, and kudos to Vipin Das for his deft direction! The music is noteworthy too. This movie deserves the accolades it has received.

 
Spiceonion.com

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