ANARKALI BY HARSHALI SINGH – BOOK REVIEW - #WRITEAPAGEADAY #BLOGCHATTER
The name ‘Anarkali’ evokes memories of the beauteous
Madhubala in ‘Mughal-E-Azam’ twirling around in a hall of mirrors, her reflection
being multiplied to the lilting tune of an unforgettable song. Harshali Singh’s latest
offering ‘Anarkali’, from the Readomania publishing house, offers us an insight into the background of this magnetic
woman who, as the tagline claims, was ‘The Courtesan, the Pawn and the Queen’.
The narrative begins with the story of Nadira and her indomitable
mother who takes her daughters on a perilous journey through the Khyber Pass to
Kabul, “a mother who went through hell to keep her daughters safe.” On one
special occasion, Nadira is paraded before the emperor himself, the mighty
Akbar, in the hope that he finds her promising enough to be taken under his
wing. Once she passes muster, she is determined to prove worthy, absorbing all
the attributes that she needs to sparkle in the harem of Shahenshah Akbar, a
man with three demanding queens and several favourite concubines.
Entranced with Nadira’s maiden performance before him,
Akbar names her ‘Anar ki Kali’ which he calls “a fitting epithet to her
blushing beauty”. She is ensconced in the peacock rooms, one of the most
beautiful spaces in the palace.
Many characters people this absorbing narrative, bringing
it to life. Anarkali soon realises that she needs to use all her wiles and intelligence
to survive in this web of intrigue riddled with critics and naysayers – Queen Ruqaiya
and Salima Begum, in particular.
Harshali Singh once again proves why she is a writer par
excellence. She impels her Anarkali to play the mahal (palace) as she would
play Shatranj (chess), moving step by step to turn from mere pawn to the queen
of the emperor’s heart. Every chapter begins with the description of a chess
move that mirrors the action in the words that follow.
The appearance of Prince Salim, the crown prince, and his
shadow, Durjan Singh, Commander Mansingh’s son, change the even tempo of
Anarkali’s life, as she grapples with emotions that threaten to overwhelm her. From
the controller and the knight of her own life, she treads into forbidden areas,
meeting powerful men head on.
The intrigues, the challenges, the passion and the perils
in the ephemeral life of a courtesan are beautifully described as Anarkali
falls from grace.
Was Anarkali a pawn in the hands of a tyrant or did she
have a say in her own destiny?
As the blurb of the book suggests, “Was she purposely
erased from the annals of history for questioning free will?”
This gem of a book with its eye-catching cover will stay
with the reader for its lifelike portrayal of its exquisite protagonist and the
travails she went through in the Mughal court. Harshali Singh proves her
prowess over the English language and apt Urdu embellishments, both of which she
uses to enhance her writing.
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