SHOCK TACTICS BY SAKI (HH MUNRO)

 
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Hector Hugh Munro is a writer who is known for his whimsical style of writing, his amazing sense of humour, his love of animals, his generous nature, and his consideration for others.  He took the pen name of Saki, the name of the cup bearer in Omar Khayyam’s The Rubaiyat. He was called the master of the short story even as he satirized Edwardian literature and culture, regaling readers with his rich political satire, his intriguing characters and his narrative style. The story titled ‘Shock Tactics’ is replete with all these characteristics.

The story begins on a late spring afternoon as Ella McCarthy was siting listlessly in her garden when Bertie appeared before her, and sat down on an adjoining chair. She was elated to see him and began thanking him for the lovely handkerchiefs he had sent to her as a gift. She had wished to write and thank him for them immediately, but when she said so, Bertie’s face fell.

“’You know what mother is,’ he protested; ‘she opens all my letters’.”

The fact was that if his mother had found out that he had been giving a girl gifts, she would talk about it all fortnight. Ella was shocked, Bertie was almost nineteen and she felt there was need for him to keep his correspondence private. Bertie and his two sisters had argued with her repeatedly, but their mother paid no heed.

Saki’s sense of humour is pronounced in many parts of the story. For instance, when Bertie met his friend, Clovis, at the swimming pool that evening, the latter asked him what the matter was. Bertie wondered why he was asking him that.

“’When you wear a look of tragic gloom in a swimming bath,’ said Clovis, ‘it’s especially noticeable from the fact that you’re wearing very little else.’”

When he realised that Bertie was upset about his mother opening all his letters, Clovis was surprised that he had let her do so. He advised him to lie on his back on the dining table and throw a fit, or wake up the entire family at midnight to hear him recite one of William Blake’s poems.

A day or two after, a letter addressed to Bertie Heasant appeared in the letter-box, landing up in the hands of his mother, who was “one of those empty-minded individuals to whom other people’s affairs are perpetually interesting”. Intrigued by the word ‘private’ inscribed on it, as also with the delicate but penetrating aroma from it, she opened it hastily. The letter addressed Bertie as carissimo (my very dear), and it questioned whether he had the nerve to do it. “Don’t forget the jewels.” The sender’s name was Clotilde, and she did not want Bertie's mother to know of her existence.

The excitable mother who had been hunting for proof of Bertie’s indiscretions for years screamed, “’Bertie is in the toils of an adventuress.’” She and her daughters discussed incessantly about his guilty secret. When Bertie arrived, his mother demanded to know who Clotilde was, but he denied her existence and escaped to his room with a few hurried scraps for supper.

An hour later, a second letter landed up. It began abruptly.

“So you’ve really done it.” It mentioned someone as “poor Dagmar” and went on to say, “You did it very well, you wicked boy. The servants all think it was suicide.” The letter exhorted him not to touch the jewels till after the inquest. The letter was signed with the name of Clotilde.

 Bertie’s mother was distraught.

“’Miserable boy, what have you done to Dagmar?’”

Bertie denied knowing Clotilde and even said that he would fetch a doctor to treat his mother for her delusions. There seemed no explanation forthcoming from Bertie. However, the last post of the evening brought another letter for him. This letter made things clear to both Bertie and his mother. It was from his friend, Clovis Sangrail.

“I hope I haven’t distracted your brain with the spoof letters I have been sending in the name of a fictitious Clotilde.’” It went on to say that Bertie had told him about his letters being tampered by the servants, or somebody at home. “So I thought that I would give any one that opened them something exciting to read. The shock might do them good.”

Bertie’s mother was chastened. She knocked at Bertie’s door telling him that it had all been a stupid hoax by Mr. Clovis Sangrail who had written all those letters. Bertie was on his way out. He told his mother that he was going to get a doctor to see if there was anything wrong with her as no one in their right senses would have believed all that rubbish about jewels and suicide and murder.

His mother whimpered, “’But what was I to think of all those letters?”

Bertie had the perfect opportunity. He told her that it was her own fault for opening other people’s correspondence. Anyhow, he was going to find a doctor.

Bertie’s mother knew she would be an object of ridicule of the story got about. She was willing to do anything to hush it up.

“’I’ll never open your letters again,’” she promised.

From that day onwards, Bertie was Clovis’s devoted slave.

 This short story is a typical example of the simplicity of Saki’s themes and the crispness of his language. He holds the interest of the reader as he elaborates on a spoof that cures an incorrigible mother of her penchant for opening the correspondence of others. The humour is effective, the comic timing impeccable, and that is why so many readers love Saki and his inimitable stories. 


                                                                                 Penguin Random House

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